The tulip trees (Liriodendron tulipifera) are blooming. Named for their distinctive tulip-shaped flowers, these trees are actually members of the magnolia family. There are a couple of nice tulip trees in West Park and a beautiful grove in the Arb.
This is how you navigate.
Saturday, June 8, 2013
Mini Maker Faire
The A2 Mini Maker Faire is today from 10-5 at WCC. Also, check out this sweet poster by Nicole Ray.
Friday, June 7, 2013
Detroit’s Van Gogh Would Be Better Off In Detroit
I was about to write a post in response to this arrogant, condescending, ludicrous Bloomberg opinion piece by a Los Angeles writer who believes it would be great if the DIA’s collection ended up in some other city - specifically, Los Angeles. I had finished my outline before realizing that Nancy Kaffer at the Detroit Free Press beat me to it, making the same points I'd outlined.
I’d like to direct you to read both of those articles (I’ll wait), and then I have a few of my own thoughts to add.
You’re back? Cool.
I was disappointed to see Bloomberg – even in its opinion pages – stooping to the level of Gawker, whose Hamilton Nolan wrote in May that it would be great to “move some great art to some places where more people might actually see it” (emphasis his).
Even Nolan’s not arrogant enough to call for Detroit’s art to be sold specifically to his city (New York). But I was angry about his complete dismissal of Detroit then, and now with another high-profile shark salivating over potential fallout from Detroit’s financial woes, I’m simply livid.
The DIA is certainly not “an unpopular museum in a declining area” (that's Bloomberg's Virginia Postrel’s opinion of the muesum). Kaffer notes that, in terms of percentage of city population, more people visit the DIA than the Getty (Postrel’s pet example in her piece). Even allowing for some error in her math, that’s a compelling counterpoint to Postrel’s argument – LA may have more people, but fewer of them visit their museums.
It’s abundantly clear that these people (Postrel and Nolan and everyone else who’s praying for Detroit to go bankrupt) have rarely actually been to Detroit and certainly aren’t in touch with what’s really happening in the city. Detroit’s been struggling, but the city has plenty going for it. (Incidentally, there’s a fast-growing tech community downtown; several software engineers I know commute from Ann Arbor to Detroit for work, and still others choose to live there.) The museum alone draws me, and so many others, into the city many times a year. Pillaging our cultural institutions is not a solution for the city’s issues. It’s not even part of a solution; it’s completely antithetical to any conceivably successful long-term plan.
And let’s not forget that the DIA has one of the largest and most comprehensive collections in the country, making it an incredibly important cultural asset for the city. As usual, Jack Lessenberry says it best: “selling any paintings would make about as much sense as a poor nineteenth century farmer making a sandwich out of the last seeds he had carefully saved in order to plant his next year’s crop.”
But let’s say you disagree with me so far. Postrel is still on a completely different planet. Her entire argument holds true if (and only if) during the hypothetical firesale “buyers [are] limited to other museums, possibly even to museums in the U.S.” This seems to be a key assumption held by everyone in favor of liquidating part of the DIA’s collection: that the art would end up in other museums. Does anybody actually believe that’s going to happen? Kaffer points out, correctly, that after bankruptcy, lawsuits that force the sale of artwork will force the sale to the highest bidder. The highest bidders will rarely be public institutions – they will be private entities, and treasures now accessible to the public will end up locked away for decades. Certainly even Virginia Postrel and Hamilton Nolan don’t want that.
It’s unclear right now what we can do to support the DIA in this fight, but I can think of one thing we should do. Who’s up for a Damn Arbor DIA visit? Let me know. I’ll organize one.
A bit of background on the issue:
- DIA’s art collection could face sell-off to satisfy Detroit’s creditors - Free Press, May 24 2013
- Under Threat of Municipal Bankruptcy, the Detroit Institute of Arts Readies for a Fight - Atlantic Cities, May 30 2013
- Bill to protect Detroit Institute of Arts collection from sell-off passes Senate committee - mLive, June 4 2013
Selma Cafe is Back
| from selma's blog |
Lisa of Selma Cafe recently announced on her blog that Selma Cafe is reopening its doors with new hours and location. The first brunch will happen on Saturday, June 22 at Sunward Cohousing. Dan Vernia and Rebecca Wauldron, both familiar with Selma, are the chefs. I expect some backlash, there will always be crabby anonymous commenters, but it shouldn't outweigh the excitement to have the breakfast joint back.
Regional Accents
Thursday, June 6, 2013
Late breaking news: free Appleseed Collective show tonight
This just in: The Appleseed Collective will be playing a free show tonight at Wolverine State Brewing Company. The show starts at 8:00 PM. More details can be found here.
Whole Foods Detroit
Market Place was in Detroit yesterday covering the opening of the new Whole Foods in Midtown. EJ and I popped in after our yoga class to check things out. The place was packed. We were going to buy something, but the line was so long we ended up just eating cheese samples. Perhaps because it was so late, or so crowded, but the sample scene at Whole Foods Midtown does not compare to my normal experience grazing on samples at Whole Foods Cranbrook. That said, it was opening day so maybe we will see improvement in samples soon.
Also, no sign of Kai Ryssdal there.
Cinetopia
At Taste of Ann Arbor last weekend, the Michigan Theater employees were spinning ideas about Cinetopia. It is an international film festival, one that will screen films about Divine and Somalian Pirates. The movies start tonight and continue until the ninth.
Zingerman's Westside Market
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